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    Seeing the Beauty of Destruction in Seung-Hwan Oh's 'Impermanence'

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    In this follow-up, in-depth exclusive interview, Seoul, South Korea-based photographer and filmmaker Seung-Hwan Oh discusses the inspiration behind his ongoing photographic series “Impermanence” and the painstaking process that goes along with it.

    Practically everything you see now will eventually fall into a state of decay.

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  • It’s an inevitable process, one that can only be delayed but never truly avoided. Seung-Hwan Oh, however, has seemingly decided to embrace the fact in his stunning work in portraiture, aptly titled Impermanence.

    Oh started working on “Impermanence” in 2012 after reading a 2010 article from BBC Online about how fungus threatens to destroy historical film archives.

    “I noticed that mold on badly stored film can eat away and destroy its contents,” Oh said, “And then I realize that I may deliver the idea of impermanence of matter applying this natural disaster into my work.” Th