Ntshavheni wa luruli biography template


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    Luruli’s 2004 Crystal Bear winner “The Wooden Camera” was seen as heralding a post-Apartheid renaissance in South African filmmaking. He came back a year later as a juror.

    Ntshavheni wa luruli biography template

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  • His newest feature, “Elelwani”, revisits the theme of innocence, not from the perspective of loss but gain as his titular character returns to her Venda tribe homeland, undergoing a transformative process that leads to an embrace of traditionalist values.

    Your Berlinale film is…

    A small film with a big ass!

    What was your original trigger, the idea or encounter that sparked the desire to make your film?

    The film is based on the first Venda novel (by Titus Maumela).

    It’s the first Venda feature film, the first in the Venda language, from the first Venda novel.

    An alternative title for your film?

    The Promise.

    Your favourite scene in the film?

    I like the scene in which Elelwani is being dressed by her mother, preparing her for the wedding.

    The scene summarises El